Using a live video production camera | Tech, No Babel

Using a live video production camera

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On today’s Tech, No Babel: Using a live video production camera (note: This show is best consumed in video format)

Do you understand live production cameras?

There’s a lot that’s different about live production cameras from DSLRs or even consumer camcorders.

Let’s start with the lens. A production lens has the ability to use a servo-controlled zoom as well as a mechanical focus. While the aperture is normally controlled with a CCU, it’s also possible to control that with a ring on the lens.

Production camera usually have a large view finder, but may also have an eye piece and even a flip-out viewfinder.

Normally, you’ll mount the camera on a tripod with both pan and tilt locks. The tilt lock should always be engaged when the camera isn’t being controlled by an operator.

Some cameras can be used as camcorders as well and may have configurations which allow studio control that can be removed for field use. These cameras may also be used handheld and their controls make that easy.

For more on how to use a production video camera, watch the video above.

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Paul Alan Clifford, M.Div.

Paul Alan Clifford, M.Div. has been a tech volunteer with Lexington City Church (formerly Quest Community Church) in Lexington, KY since 2000 and is the founder of TrinityDigitalMedia.com, llc. He became part of the technology in ministry team when his church’s attendance was around 200 in one Sunday service and has witnessed it’s growth to a peak of 5,200 average weekly attendance in one Saturday service, four Sunday services in one online and two physical campuses. He literally wrote the book on podcasting in churches, twitter in churches, & servant-hearted volunteering, as well as writing various articles for publications like “Church Production” and “Technologies for Worship” magazines. He has thousands of members of his ProPresenter Users' Group on Facebook and thousands of subscribers to his YouTube channel.